10 SUPER STORY STARTERS!

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Trees as big and beautiful as this one start as seeds. Stories start from seeds too.

Here are some story seeds to plant in the garden of your imagination or memories.

These prompts can be used for both memoir pieces and fiction. For fiction just invent situations for a character, not yourself.

  1. A moment of joy. Big or small. Where were you? What was happening? Use all five senses to describe what was going on. Go into your body – how does the emotion of joy feel in your body? What happened just before this? What happened just after?

2. Shame. Not for the faint-hearted but great story material. A moment of shame, maybe one you’ve carried a long time. Get it out of your head and onto the page – or give it to a fictional character.

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3. The biggest lie you’ve ever told and why. Again you can write from your own life or give it to a character.

4. The best decision you’ve ever made. Why was this decision so important? Great stories are born from these moments that change us.

5. An oxygen mask moment (or light bulb moment). A point in your life when you suddenly felt like you’d had a blast of oxygen, or a light had been turned on and you saw the situation you were in clearly for the first time.

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6. A piece of clothing from childhood. This could be something you wore, (like my favourite Donald Duck T-shirt that I wore until it was in shreds and my mother threw it out), or a piece of clothing someone else wore. What story does it have to tell. Why do you remember it?

7. A smell you love, a smell you hate. Smell can open all sorts of doors. What story of yours starts with a smell?

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8. Witnessing an act of small cruelty. Once, when I was living in Singapore, I saw a harried young businesswoman dragging her screaming five year old across the street, screeching at her, “After all I’ve sacrificed for you!”. It’s stuck with me all this time. A teacher at school? A mean girl at a party? Start there and see where it takes you.

9. A found object. Next time you’re on a walk, keep your eyes open for something. Anything. A scrap of paper with a few words on it. A rock. A piece of rubbish. A leaf or a feather. What story starts here?

10. Rewrite a favourite religious story or myth, updated to present day.

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Okay! Pick one (or maybe two – see Thing 1 and Thing 2).

Now set a timer for ten minutes and write like a fury. Don’t stop for anything. If your pen breaks, write with your fingertip. Find your momentum and just keep going. If you’re still going when the timer goes off, ignore it!

Have fun and let me know how you go 🙂

Lots of love

Edwina xx

Writing Grief

A wise writer once said that grief is the primary impetus for writing. It is certainly what forced me to sit down and bring the stories out of my head onto the page back when I started writing in 2002.

Through writing out the pain of my losses I began to heal.

By reimagining the circumstances and outcomes of my losses, I was able to glimpse another way of being.

By helping others to write out the pain of their hearts, my own heart began to mend.

We write to bear witness to our own pain, to leave a mark for those we love who didn’t have the time or inclination or the power to make their own. As writers we have the power to do all this. 

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We can free ourselves from the endless reruns of traumatic moments in our lives by recording them on the page. But even more than this, by applying the magic of the imagination to the unchangeable facts of our losses, we can transform those stories into meaning. We can create hope and joy where perhaps none existed.

Better yet, the power of the imagination is so strong that the brain, after a while, can no longer differentiate between memories and our imaginings so our gentler, kinder, more hopefully imaginings begin to temper the trauma of the truth.

I have always written to search out or create meaning from the losses in my life. And it has worked. I write my way into being. I write my way through emotions I can’t understand. By finding the right words, by giving my story structure and form, by giving my pain to imagined characters, I am able to leave behind my attachment to these stories of loss.

I am able to create beauty from what had previous only felt like ugliness.

So write! Write out your pain. Reimagine the stories you tell yourself and transform them. Create beauty from the darkness.

That is our power as writers.

“To see that your life is a story while you’re in the middle of living it may be a help to living it well.” 

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If you need help getting started or are floundering in grief and need a helping hand, I’ve just released my new book A Guide Through Grief, which I hope will help you through.

You can buy it directly from Amazon as an eBook or Print on Demand if you are outside Australia, eBook only within Australia

If you’d like a hard copy here in Australia just CONTACT ME and I’ll send you one. Soon you’ll be able to purchase directly from my website.

“Your joy is your sorrow unmasked. And the self-same well from which your laughter rises is oftentimes filled with tears. And how else can it be? The deeper that sorrow carves into your being, the more joy it can contain.”

Kahil Gibran

Sending lots of love your way ,

Edwina xxx

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Back Cover Blurb Competition

My friends at Query Letter are running a new competition for back cover blurbs – you know those back cover bites of a book that, in combination with the cover, make you want to read the whole thing.

These can be tricky to write – especially with the strict word limit of 100 words. They’re different from a synopsis where you need to tell the whole story and reveal secrets. A blurb sets up all the questions and leaves them unanswered.

You don’t need to have written the book to enter this competition but if you come up with a great idea trying to think of a captivating blurb then I highly recommend you get writing it!

Have a go! Fascinating characters in an untenable situation that just keeps on getting worse. Go on, you can do it 🙂

Have fun and let me know how you go.

Lots of love

Edwina xx

HOW TO WRITE A SCENE IN 6 EASY STEPS

 

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Are you stuck in telling mode and don’t really know how to make the radical leap into writing scenes? Telling is easy, we tell people our stories every day when we get home. However, you’ll notice that gifted story tellers, those we love to hear stories from, paint a picture with their words. They include setting details and dialogue and make us feel as if we were really there too. That’s the trick when we move from TELLING to SHOWING.

Our job as writers is to make our readers feel as if the story is real, happening in real time, that they are experiencing it. When we bring our stories to life with setting details, action and dialogue, we make our stories feel as real as possible.

But how do you write a scene?

It’s really not that tricky.

Start by writing your first draft of your whole story – don’t worry whether you’re telling or showing. Go for it, tell as much as you like, just get those words and basic story ideas down onto the page. Create your big baggy first draft to sculpt your finished story from.

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Groundbreaking artist – Augusta Savage

Then once you’ve had a chance to separate from the story a bit, go back and find places within that big baggy draft where you were telling rather than showing. Or if your whole piece is stuck in telling mode, then find a key turning point in the action or an interaction between characters that feels important and get ready to turn it into a scene.

ARE YOU READY?

Let’s do it!

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First, spend a few minutes with your eyes closed envisioning the scene as if it’s on a movie scene, taking note of how it’s all unfolding as if you’re the camera.

Think about each character in the scene. What does each one want from this scene? Each character wants different things, so thinking about this early will help you build conflict.

Think about the conflict in your scene. If there isn’t any, there should be, so dream up some point of difference to generate more energy and forward motion.

Now write your scene.

6 EASY STEPS

  1. Where is it taking place? This is your setting and it’s important to ground your reader in that setting at the opening of your scene. Find a few specific sensory details that give us a good idea of where and when we are, and perhaps even demonstrate an aspect of your character, or the mood of the scene, or both.

For example: It had rained all night that summer of 1852 as The Enforcer wound its way between the outer islands of New Guinea.

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  1. Who is there? Your characters, that’s who! Now show your character or characters doing something in that setting, preferably doing something that demonstrates who they are and what they want from this scene.

Example: Fred the cabin boy clung to the ropes as he climbed up the rigging to the crows-nest, cursing the captain under his breath for sending him up.

  1. What is going on? What action is taking place? How is this scene furthering your plot? Remember that ACTing is the main job of a charACTer.

Example: From the lookout Fred saw the sun’s glow leaking out under mounds of cloud. They were steering perilously close to a storm with all sails flying. The captain was a madman. A wave crashed against the merchant ship and almost sent Fred flying, but he grabbed hold of the mast as it swung and lurched, creaking.

  1. Add some dialogue. Some folk find writing dialogue very tricky. My best advice is to just write any old blather that comes into your head and then later edit it down to be as minimal as it can be while retaining meaning. Make sure your characters speak at cross-purposes, all following their own agendas.

Example: Fred called down to the captain at the wheel, “Storm ahead! Pull in the rigging?”

“You giving orders now? I’ll have your hide. Just keep your eyes out for rocks boy!” the captain roared up.

“But the storm!”

“No storm’s ever stopped me.” The captain turned the wheel hard left, heading straight for the black-bellied clouds.

  1. End the scene on a cliffhanger. Don’t tie up all the ends but leave the reader still needing to find something out. For example, I wouldn’t show the ship reaching the storm in this scene, only that Fred was very worried and in danger.

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  1. Follow with a scene not immediately answering that question. For example, to increase suspense, instead of going straight to the ship in the storm scene, I’d perhaps do a flashback scene of Fred being punished by the captain earlier, wrongly accused of stealing bread. Rations are low. So not only is there a storm coming but we know the captain and Fred have a troubled history, and not only that, the ship’s rations are dangerously low.

Following those 6 easy steps should set you on your way to writing in scenes. Use all your senses, make sure your characters are DOING not just THINKING, add dialogue and build suspense.

I hope my ideas have helped demystify writing in scenes for you. Let me know how you go.

GOOD LUCK!

Lots of love

Edwina xx

STIRRING THE PLOT – how to build tension in your writing.

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As writers our primary aim is to keep our readers turning pages, engaged with our stories. Yes, we’re really quite wicked. We like to keep our readers up all night. We also like to make them cry. And laugh too if we can. We want our readers to feel something, to be moved by our stories. And maybe, just maybe, to be changed a little, for the better.

But in order to do that, first we have to get them to finish our story. So we need to have narrative drive, suspense. Forward motion.

We do this in a number of ways.

SET UP QUESTIONS

We set up questions at the start of our story – that’s our hook. Depending on whether you’re writing a novel or a story those questions will be big – Will Tracy survive the volcanic explosion? Or small – Will Bill make peace with his father? Actually, maybe all story questions need to be big – Ben making peace with his father is enough for a novel – probably more than Tracy and her volcano. And of course, if we put the two together…?

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CREATE A CRUCIBLE SITUATION

That’s the true secret of creating tension in your writing. It’s what Sol Stein calls “The Crucible Situation”. A crucible, apart from being a great play about witches, is an old fashioned term for a cooking pot. In modern terms we’d call it a pressure cooker.

What it means is that you put your story and characters under pressure. Put them in a situation they cannot easily escape from.

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Enemies are trapped in a lift together. Ex-lovers are forced to work together on an important work project with the boss watching on. Estranged siblings are forced to organise a 90th birthday for their mother together. Or a couple break up then are stuck together quarantined on a cruise ship. A bomb has been put under the building where warring families have come together to hear a will being read.

THROW IN A TICKING BOMB

The ticking time bomb works a treat. Not only can you throw in a crucible situation but also a time limit. Like Cinderella only having until midnight before she loses all her finery. Like that volcano about to explode. Like that tsunami wave dragging far, far out just before it crashes in. Like a lover about to leave forever on a plane (hence all the rom coms that have one party running through an airport at the end)

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Let’s just say your story idea is about Ben whose father was a mean and violent alcoholic in Ben’s childhood but has now reformed and is trying to make amends. Yes, lots of story material there.

We’ve got out hook question – Will Bill make peace with his father?

Let’s add a crucible situation – Let’s say Bill has a sister and it’s her wedding. She’s forgiven their father and has asked Ben to play nice for her wedding. Ben is stuck with his old man for a whole day and night. They can’t escape each other. Plus, there’s alcohol.

And a time bomb – Ben’s dad has cancer, a bad one. He’s been told he only has a few months to live. Now the pressure on Ben to make peace is urgent.

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That should keep your reader turning pages.

Hope those ideas help. Use them on a story you’ve already got that may be lacking oomph. Add a crucible situation and a time bomb and watch them blossom.

Let me know how you go.

Write up a storm!

Lots of love,

Edwina xx

 

WRITING PROMPTS FOR QUARANTINE!

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Wherever you are, whatever you’re doing, in these crazy days of limited movement and social interaction, we still have a great power that no one can take away from us – our imaginations!

Yes! Through our imaginations we can still wander, all over the world if we like. We can create miracles, climb mountains, swim to the bottom of the deepest oceans and all without expensive equipment.

All we need is a little time and the ability to daydream. Never has dreaming and imagining been so important. We need to envision a new peaceful and positive way forward for our world, so that all this grief and loss brings good and long-lasting healing to our beautiful planet and all her people and animals.

So here are a few prompts to help get you started on using your imagination and letting it take you to places you may never have been before.

Your Favourite Place in Nature

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We may not be able to get out much these days but in our minds, we can still travel to our favourite places.

Close your eyes, focus on your breathing and take yourself to your special place, your favourite swimming hole or beach or forest or dessert or field of poppies.

Use your five senses.

What colours and shapes can you see? What is the quality of the light? When you look up what do you see? Look down. Look all the way around, stretch the working of your mind’s eye.

What can you hear? Is there the trickle of water, or the wash of waves against the shore? Are leaves rustling in the breeze? Can you hear birds singing, animals foraging in the undergrowth? Maybe you hear voices? You can have companions on these mind journeys too.

What can you smell? Is the air salty, or sweet and musty from the lush undergrowth of the forest? Maybe you smell pine trees, or the fresh sweetness of mountain water.

What do you feel? Is the sun warm on your back? The breeze soft on your face? The earth deep and yielding under your feet? Sand gritty between your toes? Water fresh and tingling on your skin.

What can you taste? How does the air taste in your mouth? Take a mouthful of that mountain stream, taste the sweetness of the water.

And how does it all feel in your heart? How does being in this special place make you feel emotionally?

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Once you have envisioned it all and dwelt there awhile in your imagination then get writing and fill in all those specific sensory details to bring your special place to life so that anyone reading your piece will feel as if they have been there with you.

All the Good that Will Come from This

 This is a wonderful exercise to do whenever you feel yourself stuck in a difficult situation, as we all are right now. Use your imagination to see a positive and powerful new future for us all. Even in the midst of all the tragedy now unfolding in many places, there is still good. There is still hope.0f8acd5ce0202400b9c03a0dc86b808f

Close your eyes again and envision all the potential for healing and the creation of new and better ways of being which can come from this enforced pause of human activity.

For me the ozone layer healing is a great and wonderful positive that I hope we’ll find a way to maintain. Plus we’re all getting a chance to slow down and pull back from some of the many hectic activities that usually fill our days. This situation has certainly brought into focus what’s most important to us. What we value most. And for many of us, it’s our people, our family and friends. Spending more time with family is also, in most cases a lovely plus to come from all of this. On my daily walks I’m seeing more and more people out enjoying nature now the gyms have closed. Another positive. People are pursuing more creative arts, learning new skills, learning to meditate or do yoga, playing musical instruments that have been collecting dust for years. Gardening. All these small things as well as big things like ceasefires, and fresh air and blue skies over cities that haven’t seen a blue sky in decades. All these and so many more.

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Write a list of at least 10 good things that can come from this. If you’d like to you could develop this into a short story about a utopian future, a future where we create a new world where resources are shared, greed is no more, and all the world lives in peace and harmony with each other and with nature.

 

Write Yourself Friends

 For many people this is a very lonely time. Especially for those who live alone. It’s at times like this we really need our friends and hugs.images

You can write a letter to a real-life friend, telling them all the things you value about them and remembering some good times that you shared. Post it the old-fashioned way and give them a treat in the mailbox.

 

Or you can imagine a whole new friend for yourself, a best friend, a lover even.

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What do they look like? What kind of clothes do they wear? Why do you like them? What do they do for work? What makes them so special to you? Flesh them out like you would a character, fill in all those little details, star sign, sense of humour. Create the perfect online profile of someone you’d just love to meet.

Then imagine meeting them, hanging out and doing something fun.

Write the story of that first meeting, that buzz of electricity when you meet someone you click with. Whether it’s platonic or romantic, there’s still a rare thrill that comes from meeting a kindred spirit.

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So write away. Get them to tell you what they like about you too.

And remember, you can write yourself as many hugs as you need!

What have you been writing during this strange time? Have you been able to write?

Your imagination is a powerful tool. As writers we know how to use it – now wield your power for good.

Write up a storm and keep smiling. Let me know how you go with the writing prompts!

Lots of love

Edwina xx