OUT OF YOUR HEAD AND ONTO THE PAGE! How to start writing your stories :)

Almost everyone I’ve ever met has stories in their head that swirl around and around and won’t give them any peace, until they’re told.

Certainly, most of the people I met in my recent tour of Far North and Outback QLD had stories that they needed to get out of their heads and onto the page. 

Writing these stories out and playing with them, using the techniques of fiction to transform the way we see them is a powerful way to get these stories out of our heads – for good! And BONUS we may even create something beautiful from all that pain. Because usually those stories that won’t let us rest are stories about the hard times.

But how to start?

Write a list of the stories on the top of your head – you know the ones.

What stories do you want to tell? Set the timer for 5 minutes and write down as many dot points or titles or other words that will remind you of these stories.

  • Write another list. What stories do you NEED to tell? Write for 5 minutes or until you’re done.
  • One more list. This is the scary one. What stories are you afraid to tell? If everyone was dead, if no one ever read it, what stories would you be brave enough to write?

Okay, now you have a list, your head should already feel a bit lighter. Lists are great for taking mountains and turning them back into molehills again. 

Have you got a story about a car you used to have?

Now take your list and a pile of index cards and write one of your story ideas on each card and put them in a box.

  • Set aside some time each day for writing. It doesn’t have to be long. Participants in my workshops know that it’s amazing how much you can write in five minutes. Start there. Pull out one of your story cards, set a timer and write. Five minutes, 10 minutes. Start small and grow the time gradually. We can all spare five minutes, right?
  • Write as fast as you can, don’t stop. We call this free-writing. Just write. Forget about sounding fancy or poetic or writerly, just get down the story as if you were telling a good friend all about what happened. Spelling and grammar and punctuation really don’t matter at this stage. Just write like a fury and get that story out of your head!
  • Write all the way to the end of that story. Chip away at your story a bit each day until you reach the end of that bit. If you find it’s taking a long time, then consider breaking that story idea up into smaller chunks. For instance, instead of writing “CHILDHOOD” on your story list, be more specific, eg: my first bedroom, time with grandma, the bad day, my favourite pet, the secret. Break it up into little manageable pieces.
  • Don’t look back! New writers (and more experienced writers too for that matter) often make the mistake of going back over the first bits they’ve written and spending ages trying to make it perfect. NO! Don’t do it! It’s a trap!! Just keep going forward.
  • Pick up a new card. Write a new story, and another and another, until your pile of cards is gone.
  • Writing is rewriting. Once you’ve got all your stories out of your head and onto a page, many pages, then you can go back and add specific sensory details, make sure you’re writing in scenes and order the pieces for narrative drive. But if all that doesn’t make any sense, don’t worry. Just get those stories written down. You’ll become better at writing just by doing it regularly. You may notice when you start putting your stories together that there are gaps. Fill them in. But not all the boring in between, day to day details, just the important things we need to know.
  • JUST START! YOU CAN DO IT!

If your literacy skills aren’t great, don’t worry – use the dictating feature on your device. Some of the best story tellers I know aren’t any good at spelling. It doesn’t mean they can’t spin a good yarn. 

So, what are you waiting for? Get cracking on those lists and let me know how you go. I have lots more hints and tips for writing on the website. Or drop me a line and I’ll do what I can to help.

Write like a fury!

Lots of love

Edwina xx

ROAD TO THE FAR NORTH! Great northern tour rundown.

In Karumba

Well, what an adventure that was! From Cairns and the sugar cane fields and glorious mountains and rain of the wet tropics, to the harshness of the savannah country, to Karumba on the Gulf of Carpentaria, to Cloncurry and Mt Isa and then across the wide open plains left by the ancient Eromanga Sea to the dinosaurs and roses of Richmond and lovely folk of Hughenden, to Charters Towers where my Nana met her hubby and married him, all the way back to the dry tropics and the bustle of Townsville. All in a little under three weeks.

Thank you, Queensland Writers Centre (QWC) for sending me on this epic tour through rain and storms and mountains and dust and plains so endless we could see the curve of the earth. Thank you most especially too to my dear friend Ivan who did all those long-distance drives, overtaking road trains up to 80 metres long, and grey nomads in their creeping caravans, with glee. He also took some stunning photos that will turn up in a future edition of the QWC magazine – Writing Queensland, featuring stories from the fabulous array of characters I met on my travels.

We made it!

They say we are partly shaped by our environment, and these wild and beautiful places have moulded some unique and talented souls. It was a pleasure to meet a few of them and be a part of their writing lives.

I have been a member of QWC since 2002. Without them I would not have found a publisher for Thrill Seekers or have learnt so much about the craft of writing, and they continue to support me and other Queensland writers with fabulous opportunities such as this. They offer a range of services and support for writers at all stages of their writing lives. You can check them out and become a member here. 

Highlights of the tour were many, but those that stand out now are the beautiful workshop room and big crowd in Atherton, the teeming rain and sugarcane fields of Innisfail – my ancestral home, lovely Tenielle in Georgetown who gave me a kinesiology treatment during our one on one workshop, meeting published author and Karumba local, Sylvia, who first arrived in this wild outstation in 1971 with three children in a caravan when the nearest drinking water was a three hour drive to Normanton, the unexpected beauty of the rock formations in Cloncurry, Porcupine Gorge, the warmth of my welcome in Hughenden (thank you to outstanding librarian and pillar of the community Mim), and coming full circle to familiar faces in Townsville. 

Cloncurry sunset

In each workshop I wrote along with participants and now have a pile of scribbled stories about moments of joy, bad things that turned out to be good things, and hard times in my life transformed into fairy tales with satisfyingly magical endings. Here’s one of my favourites: a moment of joy in Normanton.

Norman River from the pontoon

IN NORMANTON

The Norman River, wide and milky green, swayed the pontoon under my feet. I spread my arms wide, the cool morning air tempering the heat of the sun rapidly rising, soft and warm on my skin. Across the way campers sat on the banks with cups up tea but I felt alone with this wild world, the scent of salt and grass, rich and clean.

I breathed deep filling my body with the energy of this place. I thanked the people of this land, who’d loved it and kept it holy for so long. Birds called and my breath drew deep.

Later, as I waited outside the hall, an old, very black man in a cowboy hat and nylon picture shirt walked by. I smiled and said, “Good morning.”

He smiled back, his teeth white-yellow in his shining face. “You are welcome here,” he said, and my heart swelled. I was welcome. Welcomed by someone whose home this was, who had roots deeper than the oldest trees, connected to place.

“Thank you, Uncle,” I said. And my day was already perfect.

Porcupine Gorge

With thanks and respect to all the traditional owners of the places we visited, the Indigenous nations of far north and far west Queensland.

If you like the photos here, check out my Instagram account for lots more (I went a bit snap happy).

A great big hello to my new writing friends from my travels.

Write like furies people! Set that timer and go go go!

With lots of love,

Edwina xx

DROWNING IN DETAIL. Managing research in your stories.

Whether you’re researching historical details for your fiction, or using your own journals for a memoir, there’s a danger that your story will be swallowed by all the information that you’ve uncovered. 

It’s exciting to discover or remember the world you’re writing about, but our job as writers is to figure out which of the multitudinous details we find are the perfect fit for our story.

Researching a place or a period of time can be fascinating, I know. I’ve fallen into that rabbit hole many a time. Hours, days, weeks of writing time can be lost as the lure of ever more information tempts us on until we have a mountain of facts that obscure the shape of our story. 

Don’t get me wrong, it’s important to do this research (though maybe not quite to the extent I’ve done sometimes). We need to understand the world our characters live in. However, we really don’t need to include every little thing we’ve learnt about that world in the story. 

Instead, the knowledge we’ve gathered acts as an informed backdrop to the actions and choices of our characters. If we fall too much in love with all the quirky facts, they can drown out the voices of our characters and kill our story.

The discovery of long forgotten diaries, either your own or a relative’s, is indeed a treasure trove for a writer. But again, fascinating as it all is, not all of those day-to-day details are worthy of being included in a memoir or fiction piece based on them. We really don’t need to know what time you woke up or what you had for breakfast or what you did at work. Unless that workday or breakfast includes a major event that has emotional import, most of this daily grind can be omitted without doing a disservice to your ancestor, or your previous self.

My best advice with managing research, whether personal, historical or geographical, is to spend a week or two reading everything you can get your hands on, immersing yourself in the world you want to write about. But then –

Put that research aside. You can make notes about big moments or life/historical events that will help to shape your story, but apart from that rely only upon your memory once you start writing. Your brain will have absorbed the world and the feeling of the story world, but not all those facts that are irrelevant. Focus on your plot and characters and write your heart out, all the way to the end. 

If you hit a section where you just HAVE to check an historical detail, resist as much as you can. Highlight the sentence or make a note for yourself on the manuscript about the question but be strong and keep focused on the story. Otherwise, you run the risk of being sucked into the vortex of research and losing your momentum.

KEEP WRITING until you type “The End.” Then during your second draft you can check on all those bits you weren’t sure about and find interesting specific details that enhance your story perfectly without overwhelming the reader with an overload of unnecessary facts. 

Research is there to provide a backdrop, not take centre stage. Don’t let it hijack your story!

Hope that helps! Have you been sucked into a vortex of research? 

Let me know if you have any questions.

Lots of love

Edwina xxx

PERFECT WEATHER FOR WRITERS AND DUCKS! THE RAINY RETREAT.

And rain it did! Over 500 mls overnight on the Saturday of our retreat in beautiful Springbrook. Rain thundered down and ran in small rivers through the camp, but we all stayed nice and dry, writing in our cosy nun rooms.

It was cold too! After sweltering in Brisbane for the past few weeks, hiding out in air-conditioning wherever we could find it, suddenly we were wearing our winter gear and I was loaning out jumpers and hoodies to people who didn’t believe it would really be that cold! What a treat it was to be somewhere cold and rainy at the start of our long hot sub-tropical summer. And as all writers know – nothing’s better than a rainy day for writing! And write we did.

Sue, Antoinette and Janine hard at work!
Kim, Jill, Bianca, Mary and Joanne at a workshop

Our biggest camp yet with a full house of fifteen writing women across all genres and stages of experience, bonding over a shared loved of words and making sense of life through story. Feedback groups were formed and new writing buddies found. The magic of retreats working again. It makes my heart sing every time, watching new friendships form and the wonderful collaborations and joy that comes from sharing your work and ideas. Everyone contributes a unique piece to the puzzle of what makes a retreat so much fun.

What a wonderful bunch! This time we self catered as well with our amazing chief cookie Gay Liddington (repeat retreater, memoir writer and poet) cooking up a storm with Bianca and Kathy both chipping in to make sure the starving hordes were well- fed. Choc-chia pudding anyone?

As usual we feasted, wrote heaps, learnt some new tricks, collaborated, did some yoga and danced our little hearts on on Saturday night. This camp was DISCO! And again my personal camp highlight was the dancing – splendid Sue leading us all in Nutbush City Limits!

I was too busy dancing my heart out to get any happy snaps of the dancing – let’s just say we all looked fabulous and not at all dishevelled or sweaty. One thing’s for sure — we all had smiles a mile wide.

The weather was really pretty extreme, we may have got our socks wet and had to run around a lot packing up (thank you everyone who chipped in and made it so much easier) and driving down from the mountain littered with forest debris was a bit scary, but we did it together and really, it just added to the fun.

All the best adventures involve an element of risk!

I love running these retreats. Sure I may come home and lie flat out on the rug for a few days recovering, but I wouldn’t swap the joy of bringing women together to share stories for anything.

Three retreats are planned for next year.

  1. Relax and Write in Paradise – tropical MAGNETIC ISLAND – North Queensland, JUNE 25 – 27 2021 Character and Dialogue, narrative techniques focus
  2. Relax and Write in the Mountains – HIGHFIELDS – near Toowoomba west of Brisbane OCTOBER 22 – 24 Life Writing – memoir/autobiographical fiction/ new writer focus
  3. Relax and Write Feedback and Revision Retreat – SPRINGBROOK – Gold Coast Hinterland DATE TBC Structure, self-editing, redrafting and the business of writing focus

All camps are as affordable as I can make them to ensure everybody has a chance to come. $200 deposit will secure your spot at any retreat. Spaces are strictly limited to 15 so book in early to avoid disappointment.

Contact me for more info or to book a spot. Hurry – Magnetic Island is filling fast!

THANK YOU to all the wonderful women who make these retreats such a joy. And a special big thank you to Kathy Ewers for the fabulous photographs. 

Lots of love

Edwina xxx

THE GIFTS OF GRIEF

Grief is like births in many ways. The first is usually the hardest.

By the time I’d lost the third member of my immediate family, I knew what to expect. It didn’t make the pain any less, or the process any easier.

I learnt a lot though. Everything I’ve learnt about grief, how it works and how you can help yourself feel even a little bit better, I’ve put into my book – A Guide Through Grief – First Aid for Your Heart and Soul.

A few years ago I had a piece from it published through UPLIFT CONNECT.

The Gifts of Grief. You can read it HERE

Because grief is a gift. A terrible, awful gift we are all given at some point in our lives.

I hope my stories bring you comfort.

If you live in Brisbane come along to my MOVING THROUGH GRIEF workshop this Sunday 22 November at the Relaxation Centre in Alderley. Only $25!

Whether you’re grieving the loss of a person, a dog, a job, a marriage, or if you’re just struggling to stay afloat during this crazy mess of a year, this workshop will help.

Lots of love,

Edwina

CRAFTING WORDS WORKSHOP SEPTEMBER 20 AVID READER

WRITING YOUR WAY INTO A STORY WORKSHOP AT AVID READER

SEPTEMBER 20 2020 10 am – 1 pm

I’m thrilled to announce my first Avid Reader workshop. Avid Reader is my fabulous local bookstore that is the beating heart of West End where I live. The wonderful Fiona Stager and her team of writer-booksellers have created a lively writing community and a bookstore full of the very best of Australian and International writing.

Not only that, they do a great job supporting local writers as well, with a number of us launching our books in store. Or through them virtually now Covid has made things tricky.

Launching Raymond Evan’s poetry collection last year.

Join me at this Zoom workshop where we will use yoga techniques to free our imaginations and write our way into and through a story!

Get into the heart and body of your characters and learn how to shape plot from character goals, traits and failings. Filled with all my best hints and tips, this is a workshop you’ll leave inspired with the beginnings of a story, if not a full first draft.

I’d love to see you! Let me help you get rid of that critical voice. Get all your writing questions together and ask away.

Let’s get writing!

HURRY! EARLY BIRD PRICES FOR MEMOIR RETREAT END SOON!

RELAX AND WRITE IN THE MOUNTAINS.

I’m thrilled to announce that my special introductory and memoir writing retreat at Camp Koojarewon in Highfields north of Toowoomba is now back on track and ready to go. PHEW! Touch wood, cross fingers.

Is your creative spirit crying out for a little TLC? Always wanted to write but don’t know where to start? Need to reboot your writing mojo and be inspired to tackle that project you’ve been thinking about forever? Come along and regain your love of writing and life at the next Relax and Write Retreat

From 2pm FRIDAY 23 OCTOBER – 2 pm 25 OCTOBER 2020

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Join like-minded women in a fun and supportive environment discovering just how much some deep relaxation can ignite your imagination and get you writing again. Relax and unwind with gentle morning yoga sessions and get writing with innovative workshops to help move those stories out of your head and onto the page.

“I feel transformed, as a writer and as a human being.”

Bianca Millroy – participant NANOWRIMO retreat 2019

The program includes two yoga sessions, four inspiring writing workshops covering the basics, plus advice on editing and submitting your work. Two nights basic dorm accommodation plus delicious vegetarian meals, morning and afternoon teas and a special dance night are included.

“The fully-catered retreat environment was comfortable and stress-free. Edwina and her team create an atmosphere that encourages, motivates and inspires.”

Gay Liddington – participant NANOWRIMO retreat 2019

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Maria, Kathy and Jude – triple retreaters!

Connect with other creative women in a beautiful, peaceful location, be inspired by practical, informative workshops, stretch and relax with yoga and release your inner-goddess dancing under the stars. No more putting your dreams on hold. Treat yourself to this special weekend nurturing your writing spirit. You deserve it!

RETREAT PROGRAM All activities are optional

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FRIDAY 23 OCTOBER 2020

ARRIVAL from 3 pm

5 pm – Meet and Greet

6:00 –  DINNER

6:45 – 8:30 WORKSHOP 1– Your Stories

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SATURDAY 24 OCTOBER

7:15am – 8:30 – Gentle morning yoga and breathing

8:30 – BREAKFAST

10:00am – 12:30 pm – WORKSHOP 2 – Writing from start to finish – developing a plot and a plan

12.30 pm – LUNCH

1 – 4:00 – FREETIME and FEEDBACK SESSIONS

4 – 6:00 pm – WORKSHOP 3 – Character and Dialogue

6:00 pm – DINNER

7:00– 8:30 pm – DANCING and chatting around the bonfire

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SUNDAY 25 OCTOBER

7:15 – 8:30am – Gentle morning yoga and breathing

8:30 – BREAKFAST

10:00 – 12:30 – WORKSHOP 4 – Where and how to submit work, goal setting, questions and collage

12:30 – LUNCH

1:30- 2pm DEPARTURES

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Editorial feedback sessions with Edwina available on request $50 extra for those needing advice on a project.

FEEDBACK DETAILS – email Edwina your first 10 pages plus your synopsis at least 2 weeks prior to retreat for full edit/advice plus 20 minutes meeting time. Massages will also be available at extra cost.

COST for the weekend of writing, fun and feasting, including accommodation, all meals, 2 yoga sessions, 4 creative writing workshops and a dance night. Transport not included.

 $400 all inclusive!

EARLY BIRD $360 -Pay $200 deposit before 31 AUGUST 2020

PAY YOUR DEPOSIT HERE

then Drop Me a Line to let me know you’ve done so and I’ll secure a spot for you.

OR contact me to pay by Direct Deposit: preferred : )

Contact me any time for more info or with questions.

A very few single rooms are available for those with special needs at slightly extra cost. Contact Edwina.

Remember – as Heidi said “I knew the mountains would make her well!”

Heidi

FINDING THE HEART OF YOUR STORY – GO DEEPER

What is your story about?

What is it really about?

These are the important questions, writer and teacher of writing, Robin Hemley gets writers of memoir and non-fiction to ask themselves. Seven times. Each.

So, what is your story about? What is it really about? Write your way down to find the hidden depths and themes of your work. It’s not just for non-fiction writers either, fiction writers benefit from exactly the same process. If you ever get the editorial comment, “Go deeper”, you need to ask yourself these questions and delve into the emotional and spiritual heart of your story.

You can try doing this before you’ve written a first draft but for me it always works best once that crappy first draft is on the page. 

Amanda Lohrey, esteemed Australian author, who I was lucky enough to have as an advisor for my Masters Degree in Creative Writing at the University of Queensland, calls this initial stage of writing, that shitty but all important first draft, EXCAVATING. And that’s just what we’re doing, digging around, digging deeper and wider, throwing everything in until somewhere along the line, maybe two or three drafts later, we strike gold. But we can’t find that gold until we do the messy work of delving deep.

For me this process works best if I sit and focus first, clear my mind and send that troublesome inner-critic from the room. See my guided meditation on how to do this. Once you’re centred and settled, tune into your body and the emotions that are stirring and wanting to be expressed in your story. Sit with that story or scene or section, FEEL it, then plunge into a big free write around it. Throw in everything that floats to the top of your consciousness. Anything. Everything. Write fast and furiously until you have exhausted the topic.

Keep digging!

Usually I’m a big believer in less is more, but in this case more and more and more is better. Sometimes there’s a whole mountain of scrap metal, rocks and dirt that has to be cleared away before you strike that shining vein of gold. 

Find your gold!

Write your way deeper and deeper, right around it and through it and you’ll eventually find your gems. Then you extract your precious jewels from all the detritus and insert only the very best, polished stones into your story. 

Don’t worry about all those wasted words. I keep files of offcuts, just to soothe my anxious self, and though most of the time all that trash stays in the trash, sometimes I fossick out another hidden gem to use in a different story.

Find your gold then celebrate with your writing buddies!

Are you shying away from the emotional heart of your story? Don’t. Dig deep. Mine your body and life for feelings and meaning and allow them space in your writing. 

After all, what are we writing for? I don’t know about you, but I write to move people. To make them feel something. To give them a chance to walk in someone else’s shoes. As writers we have the greatest tool for spreading compassion at our fingertips. Through story we get as close as is humanly possible to the world experience, life, and heart of another human.

That is a great gift.

Don’t be afraid to write your heart onto the page. It is what creates connection. And in these challenging times, we need connection more than ever.

So, what is your story about? What is it really about?

Have a go and let me know what you come up with!

In other news, we’re launching Our Inside Voices, this Sunday 23 August 2020 10:30 – 12 at Orleigh Park West End, opposite the entrance to Montague Rd. Come along and say hi. I’ll be doing a reading along with a few of my fellow contributors.

Take care and keep smiling through all this madness. The world is still a beautiful place full of joy and wonder.

Nasturtiums and Hibiscus

Lots of love

Edwina xxx

WILL SHE OR WON’T SHE? SHAPING PLOT THROUGH CHARACTER DECISIONS.

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Recently I attended a Screen Queensland, Wendall Thomas screenwriting workshop on developing plot through decisions.

Wendall’s main message was this – Structure your plot through character decisions.

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As we know the very best plots spring from the intrinsic motivations and flaws of our characters. Their goals, hopes and weaknesses create meaningful plotlines that are compelling because we are invested in the characters. Alternatively, plots that are imposed on characters can feel contrived and don’t have the same emotional drive that keeps us reading.

According to Wendall, each decision has three elements.

MOTIVATION – what situation/idea/goal/event forces a decision upon this character?

DECISION – what choice do they make in response to that motivating factor?

And finally

CONSEQUENCES – what events does the characters decision set in motion?

These elements remind me of my days teaching kids with behaviour disorders in juvenile justice centres. On every wall were posters proclaiming a very similar process to get them to reflect before they took rash actions that could potentially land them in even deeper trouble. STOP. THINK. OPTIONS. CONSEQUENCES. ACTION.

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Stop and Think before you act!

A character has to act not just react. This process of shaping the plot through their decisions forces them to take active responsibility and turns a sappy passive protagonist into a vital force in your story, novel or screenplay.

In all forms it’s important to transform these internal decisions into external actions. To not just say, Bobby realised that killing the cat would get him in trouble, but to show Bobby, swinging the cat by the tail until it shrieked, but then stopping, holding the cat to his chest, wrenching its face up to look in its eyes, then setting it free.

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Dora Marr – Boy with Cat

Each decision has its consequences. Some good, some bad. As Wendall kept saying – every decision takes your character one step forward and then two steps back.

Let’s just say Bobby made that decision to set the cat free, but it was wounded and someone had already seen him with it. When it limped home, the owners called the police and Bobby was arrested. As the police approach him Bobby starts throwing punches, swearing and reacting as he’s always done, but one of the officers speaks kindly to him and Bobby thinks better of it and calms down. Goes with them peacefully.

After the inciting incident that sets up our story, the protagonist must decide whether or not to take up the challenge it presents. Once they do, they are propelled into the second act and continue to make decisions that move them one step forward and two steps back all the way through to the climax. Some decisions seem sensible, but others, motivated perhaps by their fatal flaw or a deep-seated weakness, we know from the start are only going to make things worse, much worse.

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At the watchhouse, Bobby is taken aside by a corrupt officer who tells him he’ll let him go if he becomes an informer and feeds him information about the drug running bikie gang Bobby’s violent uncle heads. Bobby shakes the corrupt officer’s hand, puts the cash in his pocket and we know things are only going to get a whole lot worse from here.

So remember, MOTIVATION, DECISION, CONSEQUENCES and show us those decisions in ACTIONS that manifest the characters feelings and realisations.

As we hurtle towards the climax of our stories, propelled by decisions that really aren’t going so well, the decisions become increasingly reckless as the character is put under more and more pressure. Consequences get more and more dangerous.

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Let’s say after informing a couple of times, Bobby sees Uncle Roger stash a couple of gym bags full of cash under the house before he heads out on his Harley. Bobby gets his phone and clicks on the police officer’s number. But then, just as the officer answers, Bobby shoves the phone back in his pocket, and scrambles under the house, emerging with a bag full of cash.

Then he turns up at his young girlfriend’s place and tells her to pack a bag. They’re both heading off down the street when the cat he hurt crosses their path. His girlfriend stops to pat it and they waste precious time. The bikie gang roars around the corner.

UHOH!

Decisions that your character makes early on in the story manifest themselves in consequences in the final act. Bobby’s decision to become an informer brings him into all sorts of dangerous circumstances he could have avoided. Even the cat plays a role in delaying his escape.

In every book you read and every film or TV show you watch, keep an eye out for how those character decisions are shaping the story.

And if in your own story your character isn’t making any decisions of their own, but is only reacting to external forces, give them some backbone and get them making decisions to give your plot a whole lot more OOMPH!

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Start making history with your stories

Hope that helps you whip your stories into shape.

Keep smiling and keep writing through all the madness now surrounding us.

All is well.

Lots of love

Edwina xx

Creative Writing and the Forgotten Australians

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These children were starving and abused, told they were rubbish

I’ve been working with Forgotten Australians – those who suffered institutional and/or out of home care as children – for several years here in Brisbane. But earlier this year, before COVID kept us all inside, I toured around my home state of QLD with program manager, Katie McGuire, facilitating workshops in regional centres.

As with all of my work with these extraordinary survivors, I was blown away by their stories and their resilience and willingness to try everything I threw at them.

We called our workshops The Healing Power of Story and part way through our travels were interviewed by local ABC media.

Here is the article they wrote if you’d like to learn more about Forgotten Australians and the work I’ve been doing with them.

It is a great privilege to be able to contribute even a little towards helping these incredible people heal the pain of their traumatic pasts. As I say in the interview, once I met them, there was no way I could ever leave them.

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They were trained to be domestic servants or labourers and given very little formal education

People like the Forgotten Australians exist in every community. Here in Australia they have been recognised and services like Lotus Place are now available to them, but in many countries this is not yet the case.

Being with them has taught me to never, ever, walk past a homeless person without a smile and a hello. To never judge a book by its cover and to always listen and wait for a story to unfold. You never know what hell a person has been through.

And yet they’ve managed to come through with wide open hearts and great kindness of spirit.

READ THE ARTICLE HERE

Lotus Place and other similar organisations are always looking for volunteers to help out with programs like these, so do get in touch if you’d like to contribute.

Lots of love

Edwina xx