SUSPENSE = HOPE + FEAR

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As far back as Aristotle and the very first plays, story tellers have known that the secret to keeping your audience on the edge of their seats, or readers turning pages, is to keep them in a state of tension.

As story tellers it’s our job to manipulate our audience’s emotions. To keep them moving between hope and fear, relief and anxiety, joy and despair.

Writers can learn from sports, yes, even football! The best games have suspense in buckets – that’s why watching footy on a Friday night is so appealing to most people. Audiences and readers want in story what they avoid at all cost in life – conflict, anxiety, opposition and tension.

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However, the battle for the win is even more gratifying when the game is close. Games won by one point in the final minute keep us on the edge, enduring and enjoying a tension that is almost uncomfortable, right up until the end. So much better than a game where right from the first ten minutes we know it’s a walk over.

It’s the same with story. If a protagonist too easily achieves their goals, then where’s the drama? Where’s the fun of all those uncomfortable emotions?

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The opposition to a character’s goals have to be almost insurmountable. The protagonist needs to do her very best, make plans and execute them, but then fail or be thwarted until that very last minute – maybe even just as the final bell is ringing. Maybe all her attempts will only make things worse. Maybe self-sabotage will undermine her at a key point, when finally everything seemed to be flowing her way.

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As writers we want the reader to call out “No!” then turn the page to see what happens next, hoping against hope that she’ll somehow dig herself out of the hole she’s created.

It’s that movement between hope and fear that writers need to keep in mind as they shape their stories. If not in the first draft, then definitely in the second.

Check each scene. Is there some sort of conflict? What is the outcome of this conflict? Are we led to believe the character can achieve her goal, which seems or paramount importance to her whether it’s life-threatening or not? Or are we terrified that she’ll never get what she wants?

Does it seem like she’ll finally find her missing child? Or does it appear obvious that all she’ll ever find is bones?

Will that boil in the middle of her forehead heal before the big date? Or will boils spread all over her face and make her a leper?

Jayne Mansfield reading in bath

Every scene, if not every page, should play its part in this dance between hope and fear, keeping readers anxiously turning pages, even in the bath.

Examine stories you love. How has the writer choreographed this dance? Look for conflict. In the very best novels and screenplays, conflict will be evident in almost every page, in every interaction between characters. Even a character’s inner dialogue can involve conflict, the fight between desire and better judgement.

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Manchester by the Sea  by Kenneth Lonergan is a harrowing and deeply moving film that is a wonderful example of how conflict can be used to intensify every scene. In a scene already filled with drama when a young mother is being put into an ambulance the trolley doesn’t work properly, making an already unbearable moment excruciating.

Conflict can come from others, ourselves, the environment, government or police, even furniture. Throw it in wherever you can and watch your story bloom. Manage the readers’ emotions, keep them swinging between hope and fear and you’re on your way to writing something no reader can put down.

Keep them up at night, make them laugh and make them cry. Have fun doing it J

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How do you ramp up conflict in your stories? How do you move readers between hope and fear? I’d love to hear your ideas!

If you found these tips useful you can sign up to my newsletter for regular hints and tips and opportunities HERE

And if you’d like a whole weekend of writing exercises and advice then check out my next retreat HERE – but hurry only two places still available!

Lots of love,

Edwina xx

 

 

 

 

 

PROCRASTINATION, PERFECTIONISM AND A HARSH INNER CRITIC: The Enemies of Writing and How to Defeat Them!

 

 

Do you put off writing until after the whole house is cleaned, including sorting out those kitchen cupboards and scrubbing the bathroom tiles with a toothbrush

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Do you start writing but then never get very far past the first paragraph because you can’t get it quite right and that first sentence is so sucky? Do you feel too inadequate to even start writing, even though you’ve secretly wanted to all your life? Or do you finally write something, but then tear it to shreds and bin it before it’s even had a chance to breathe?

Don’t worry, you’re certainly not alone. Every writer faces these demons – the holy trinity of FEAR. That’s really what these deadly (well to your writing anyway) sins boil down to – plain old boring fear

 Procrastination

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Procrastination is a protective device. If you put something off long enough, you’ll never have to write it, or you’ll have being rushed as an excuse for when you decide that it’s utter crap and that you’re as talentless as you thought. If that sounds like you, then your procrastination is really harsh inner critic lurking in the background just waiting for you to finish the housework and probably complaining about how you’re doing it too – look there’s a spot you missed!

But hang on a minute, what if it’s not crap? What if actually for a first draft it’s pretty damned good? What if writing it was the most fun you’ve had in ages? Certainly a whole lot more fun than cleaning the bathroom.

Perfectionism

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Perfectionism won’t ever let you finish anything. Because if it’s not perfect, and how actually can anything be, then it’s not any good at all. That first sentence demands to be rewritten a hundred times, so you never get any further into your story. Even if you do get all the way through, perfectionism won’t ever let you submit it anywhere because it’s never quite right. Never quite good enough.

Guess what? Perfectionism is just another protection device – protecting you from the criticism of others while you beat yourself up with your own, much harsher, criticism. It’s another face of that horrid inner critic trying to stop you making a fool of yourself.

Well thanks, but no thanks. Because nothing is ever really perfect. Ask any writer, any artist. There’s always something you can fix or change, even with published work. At some point though, you just have to let it go. Step back and send it out into the world.

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“Feel the fear and do it anyway,” as Susan Jeffers famously said in her book of the same name.

 

Fear used to serve us well. When we lived in caves, fear told us to stay away from that cave where the beast lived and not to eat that berry that made Aunty so sick. But these days most of our fears have become internalised and turn into anxiety. It’s not really our friend any more.

Fear has many faces. Most horribly it is the face of our harsh inner critic.

THE PHANTOM OF THE OPERA, Mary Philbin, Lon Chaney, 1925

Your Inner Critic and how to tame it.

Like fire, inner critics are wonderful servants but terrible masters. To write successfully, critics must be tamed and trained and forced to play nicely with our delicate creator selves in order to make our writing the best it can be. The craft of writing demands a domesticated critic to edit our messy first drafts, but that’s later. First, we have to get that messy first draft written.

Inner critics can be fatal to writing. First drafts need freedom – when we create we’re playing and mucking around, making stuff up. We don’t need a nasty critic hanging over our shoulder whispering abuse. I like to send mine from the room!

It helps to know the face of your enemy.

rabid_squirrel_postcard-r5105695b7151488c9754e7b5013d2197_vgbaq_8byvr_307One writer described her critic as rabid squirrels in camouflage gear. Another described his as a giant, grumpy, old geezer. It could be a mean older sister, or a stern father who thinks doing anything creative is a waste of time. Mine looks like my third-grade teacher. A nun in a habit. With a ruler. She always liked to pull me down a peg or two

Following is a writing exercise to help you pull your inner critic a peg or two – or three or four (or more.)

 

WRITE: Your Inner Critic

Set your timer for ten minutes and write about your inner critic.

Was it your mum who was always finding fault, or was it that awful teacher in high school who tore your short story to pieces in front of the class?

Whether your critic is based on a real person or is a monster from nightmares, a dragon with gnashing teeth dripping with blood, get it down on paper. If there is a specific incident you remember, or a particularly bad attack from your critic, then write that down too. Get into the meaty details. Take more time if you need to. If you’d like to, draw a picture. What you do with this picture is up to you. You can burn it, or shred it, or put a big red cross through it, but perhaps if it’s your mum maybe just stick a bit of plaster over her mouth!

smoking nunsOnce you have this clear picture in mind you can begin to train your critic. You can train them to leave the room. Trick the squirrels with some peanuts and tempt them into another room while you get a first draft done. Tell the old fart you’ll let him have his turn in a while, after you’ve written your five hundred words for the day. Take the ruler out of the nun’s hand and send her to confession (or out for a smoke) for the few hours you have available for writing. If they know they’ll be allowed back later, they will, most likely, go happily. If they start skulking back, however, then gently remind them that this time is yours, they’ll be welcome in a while.

In my workshops, retreats and even at the creative writing classes I teach at university, I always start with a guided relaxation to help participants send that critic from the room. I’ve found the results to be outstanding.

Try it for yourself!

RELAX: Meditation for removing your inner critic

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Sit and breathe deeply, bringing your attention inwards, then slowly relax your whole body. Once you’re relaxed, visualise your critic and imagine sending them from the room. I like to send them to the nearest body of water and drop them in there. Don’t worry they always find their way back in time for the next draft!

I’m working on a recording of the guided meditation I use in workshops. If you’d like to be kept in the loop and be one of the first to use it then click HERE.

Once you’ve sent your critic away, then I like to set a timer. 10 minutes, half an hour. It helps give me that sense of urgency procrastinators thrive on (procrastinator – who me?). Then WRITE! Write like a fury. Write like you’ve only got 10 minutes until the world ends and you’ve just got to get your story down. Spelling and punctuation don’t matter. Just go where your brain flow takes you. Follow tangents, explore weird things that pop up. Let the story show you where it wants to go.

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Nothing matters in that first draft except being in the flow and trusting your own creativity. Remember – Writing is fun! Creating is playing. Take all the pressure off and enjoy yourself mucking around with words and making up stories.

 Let go and let the words flow!

Let me know how you go. Did these techniques work for you? What other tricks do you know forgetting those first drafts done? Are you a procrastinator or a perfectionist – or both. What does your inner critic look like?

If you’d like to experience just how freeing doing a guided relaxation and meditation can be for liberating your creativity and getting you writing, then please contact me HERE for information about my upcoming RETREATS.

Or sign on HERE to get regular updates and hints and tips for your writing.

GOOD LUCK taming those critics.

Happy writing!

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Lots of love,

Edwina xx

RELAX AND WRITE IN THE MOUNTAINS!

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Is your creative spirit crying out for a little TLC? Come along and regain your love of writing and life at the next Relax and Write Retreat at Camp Koojarewon in the mountains near Toowoomba, Queensland.

From 2pm FRIDAY 26 APRIL – 1pm 28 APRIL 2019

Join like-minded women in a fun and supportive environment discovering just how much some deep relaxation can ignite your imagination and get you writing again. Relax and unwind with gentle morning yoga sessions and get writing with innovative workshops that use yoga and drama techniques to help move those stories out of your head and onto the page.

The program includes two full yoga sessions and four creative writing workshops covering the basics of story development, whether you’re writing memoir, fiction or screenplays, as well as hints and tips on editing and submitting your work to publishers.

Cost includes two nights basic dorm accommodation –we have the run of the whole camp so no one will have to sleep on a top bunk unless they want to and we’ll have plenty of room to spread out (a couple of ensuite rooms are available for those with health issues or special needs) — plus delicious vegetarian meals, morning and afternoon teas and suppers.

Come along and join the fun, make new writing buddies and rekindle your love of writing.

Contact Edwina for more info and bookings.

COST
Includes basic dorm accommodation, all meals, two yoga classes and four creative writing workshops.
$400 for the weekend of yoga, writing, fun and feasting – Or pay your $200 deposit before 8 March 2019 for EARLY BIRD $360

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Edwina Shaw has been writing and publishing since 2002. She teaches Creative Writing at the University of QLD and is also an experienced yoga teacher. Her book Thrill Seekers was shortlisted for the NSW Premier’s Literary Awards and has recently been released as a new imprint through Raven Books UK. Her feature film project M is under development with a producer attached. She is a registered teacher and runs workshops at schools and writers’ festivals through Speakers Ink and the QLD Writers Centre and also works as an editor and mentor. She lives in Brisbane where she can most often be found writing, doing yoga, or daydreaming. She loves helping other women rediscover their creative spirits and get their bodies moving again.

7 POWERFUL NEW YEAR’S RESOLUTIONS FOR WRITERS

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Happy New Year everyone – here’s hoping 2019 is the best year yet!

Here are a few powerful resolutions that will make a real difference on your writing adventures.

1. Make realistic goals.

When I first started writing my goals were huge and grandiose – things like “I’ll have a best-selling novel by the end of the year!!” Not only was this totally unrealistic, it ended up being depressing too when it didn’t happen. These days my goals are more like – Write a decent first draft of “Castaway”. That I can control.

2. Submit 10 points worth of stories.

Have you heard of the 10 points plan? My friend, writer Fiona Robertson, first put me onto it. Score yourself 1 point per story submitted, aiming to have 10 points worth out at any time. The more stories you have out the better your chances. It does mean you sometimes get a flurry of rejections, but as we know rejections are badges of honour – and mixed in will be a YES (or two)! You can wiggle it around too – 3 points for novels/ full length works, and Helena and I reckon all grant applications are worth 3 too – they’re not much fun to do. How many points do you have out right now?

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3. Read more books!

For me this means watching less crap TV. I can get hooked on the most ridiculous shows – did anyone say The Bachelor? I’m a sucker for romance. But really, it’s a waste of my precious time. I love reading all kinds of books and you can learn so much about writing – what to do, how to do and even what not to do. So instead of switching on the idiot box I’m going to open a book and read. How about you?

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4. Fill up your writer’s well.

Ernie Hemmingway first talked about writers having a well of inspiration that they draw from that they need to keep replenished with images, adventures and ideas. My recent trip to the UK has given me an overflowing supply of inspiration, story ideas, images, conversations and joy to keep me going. People who are familiar with The Artist’s Way by Julia Cameron will know that Artist’s Dates are usually the first things we let slide. I’m guilty as charged. But this year I’m determined to make more time for adventures and fun because I know it all helps my writing. Otherwise I’ll keep pumping my well dry and it will show in my work.

5. Take time out.

Writers need quiet time. Much as I love people, I really love solitude and silence as well. If I don’t get enough alone time, I start getting very grouchy. If that’s combined with no writing as well then— watch out! Take yourself off for an afternoon. Send the kids to grandmas and spend the day lying around in your pyjamas and staring at the ceiling if that’s all you have the energy to do. Take yourself on a solo retreat and write your heart out. Or find a week or weekend away with other writers that will fill your tank and renew your mojo. Here’s a link to find out about our next retreat if you’re tempted.

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6. Be your own cheer squad and find others to cheer along with you.

Writers face a lot of criticism and rejection. We really don’t need a noisy inner critic dishing out more of the same – usually meaner and harsher than anything we get from others. Send your inner critic from the room or train her to be your best friend who believes in you and your writing no matter what. Train her to say – “You know I still really love that story – maybe if I just fiddle with it one more time and send it out again, I’ll get lucky.” I’m working on a YouTube deep relaxation to share with you to help quiet that nasty voice.  Connect with other like-minded writers to encourage and support you through the ups and downs of the writing life. Going to writing groups, workshops, festivals and retreats is a great way to meet writing buddies.

7. Keep a journal. journal writing.jpg

I’ve kept the most important till last. Dancers do stretches, artists do sketches, writers keep journals. It doesn’t have to be first thing in the morning. It doesn’t have to be three pages. A few lines every day, or every few days. But make sure it’s uncensored blah. Complaining, moaning, hoping, dreaming, remembering, planning, it all goes in. The main thing is to get used to writing fast and furiously without editing yourself or trying to sound “writerly”. Journaling is the best way I know to find your authentic voice.

What are your new year’s resolutions? Have you got any really good ideas that should be on this list? Let me know. I’d love to hear from you.

Keep safe over the New Year’s festivities and write like furies!

Lots of love

Edwina

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TEN GREAT CHRISTMAS GIFT IDEAS FOR WRITERS plus DATES FOR RELAX AND WRITE 4!

 

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Here’s my pick for great gifts for the writer in your life – or as a special treat for yourself if you’re the one scribbling away like a fury.
1. The Artist’s Way by Julia Cameron.artists way

 

I recommend this book to just about everyone I meet. It was the book that got me finally acting towards my long-held dream of being a writer. It’s practical, uplifting and guaranteed to get you writing or painting or dancing – or whatever creative pursuit brings you joy.

2. A room with a door that closes – or at the very least a screen to close off a corner of another room. That’s what I have, and it works just fine. Writers need a space of their own and plenty of privacy – we often do quite crazy things when we’re writing, and it can scare other people!
3. Bird by Bird by Anne Lamott – another wonderful book about the writing life that’s bird by birdwritten with humour and understanding of the ups and downs of the hard yakka of getting stories written.
4. Stationery. It doesn’t have to be fancy leather-bound journals or gold-plated pens – though they’re really glorious, but simple journals and pens and coloured pencils and all sorts of paper and writing tools usually make writers drool. We sometimes just hang out in Officeworks fondling nicely bound notebooks.

 

5. Big Magic by Elizabeth Gilbert – this is the most recent edition to my collection of big magic.pngbooks to uplift my writing sprit when battling an onslaught of rejections. By the author who wrote Eat Pray Love this book makes you believe in the magic of writing.

6. A new laptop – that’s if you’re very flash with cash. The writer in your life will love you forever.

7. Writing software such as Scrivener or for the screenwriters – Final Draft. But do check with your writer first – they may want to choose the program themselves.

8. For the more old-fashioned writer – a thesaurus or dictionary or reference book on myths or fairy tales in hard copy.

9. A book by your writer’s favourite author – or perhaps the collected works. You can get Penguin classics at very reasonable prices these days, so you could buy a few master works to inspire great writing.

10. A retreat – shout your writer to a week or a weekend away to nurture their creative spirit and network with other writing folk. Retreats range in price and duration from luxurious weeks in Fiji to retreats like mine coming up in Toowoomba where the accommodation isn’t posh, but the creativity, fun and camaraderie is real. Check out the fancy retreats here and dream on!!

Which leads me to the grand announcement –

Are you ready for more? It’s Relax and Write 4!

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Dates and venue are now locked in for the next retreat:
WHEN? 26 – 28th APRIL 2019

WHERE? Camp Koojarewon in the mountains just north of Toowoomba in Highfields.

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WHAT? – a combined yoga and writing retreat for women.

The program includes four writing workshops covering the basics of setting, character and structure with lots of writing activities and deep relaxation to help quiet the inner critic and free your imagination. workshop helena STAR
It also includes two gentle morning yoga sessions suitable for even the creakiest bodies – focusing on breathing and calming the mind, with every posture adjusted to your individual needs (you can do it on a chair if you like). There’s also plenty of quiet time to do your own writing, explore the surroundings, or just catch up on some shut-eye.

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Plus ALL MEALS! In fact, the lovely folk at Koojarewon are planning to stuff us like pate geese with delicious vegetarian meals, as well as morning and afternoons teas and even suppers!

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WHY? Because writers usually work alone and empty out their tanks of inspiration and determination. A retreat like this one is perfect for renewing your love of writing, and life, and for connecting you with kindred spirits and new writing buddies.

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HOW MUCH? For two nights’ rustic accommodation and all meals, plus all workshops and yoga classes only $400!

And, if you’re very clever and pay your deposit before the 8th March it’s only $360 early bird price.

HOW? By clicking HERE and filling in the form for more information.

Bring a friend or make new friends when you come. A warm welcome awaits you.

I’d really love to have you along. Treat yourself to a retreat for Christmas – you’ll have lots of fun!

Wishing you all a fabulous festive season and the best year yet in 2019!
Edwina xxx

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